It's the end of the world. Again.
There's been a certain post-apocalyptic feel to my reading and viewing lately.
The biggest clue has been Survivors
, of which katlinel
and I have just watched Season One. And jolly good it was, too. Considerably less gloomy than I'd expected (my old-school expectations being coloured, as they are, by fuzzy memories of Threads), and entertainly. Particularly with Tom Price being played by Zathras. Not that fussed on seeing more, though, given that the cast-interviews on the disc revealed that Abby's not in it any more, and she was the core (it was getting increasingly annoying to see Greg turn into Action Man).
Then there's Warren Ellis's FreakAngels
, a free weekly comic that comes out each Friday (computer failures permitting). Set in a flooded future London, it's following a group of teenagers with mind-powers who are, it seems, responsibly for the whole fucking mess. Good characters and dialogue, but there's not a lot that's happened, yet, and the six-pages-each-week format seems to be irrespective of story beats. That's your six pages this week, moving on. Who cares whether this is a good place to pause?
Well, me...Pride of Baghdad
is a one-off comic book by Brian K. Vaughan, following four lions who escape from Baghdad Zoo during Desert Storm. Entertaining and heart-breaking, but brief. Nice art. Would make a nice movie, but it's too short.
Vaughan's also the writer behind Y: The Last Man
, a long-running series about life after something
wipes out the entire XY-portion of primates, with the exceptions of Yorick, a not-that-great escape artist, and his pet monkey Ampersand. I've read volume 1 a couple of times, and enjoyed it. Need to find somewhere that's stocking volume 2 - most places have higher volumes.
And then there's Buffy
Season 8. The first volume was scripted by Whedon directly, but volume 2 is by that man again, Brian K. Vaughan. Not that you'd notice - the dialogue's spot on, with Faith coming back into the mix too, and a nice, dark line from Giles. Xander's adapting well to life running a military operation with five hundred slayers from a castle in Scotland, and the Bad is nicely oppressive. God,
you think, I've missed these characters.
Unfortunately, each volume has about as much story as an episode. There's a lot of characters to juggle, lots of pipe laid, and lots of great dialogue, but they go by very quickly. I know there are quite a few issues to make up one episode, so having someone surprisingly teleported out of the castle might not seem that repetitious issue-on-issue, but in TV terms, that's twice in two weeks. Hmm. Current Mood: Don't forget the tin openers